Karin Gottshall: Mending
It took me a hundred years
just to learn to thread a needle,
and by that time all my generation
had gone, their clothes buried with them
or passed down to abler hands.
Then I set to counting buttons—so many
jars full—the navy anchors, tiny
mother-of-pearl discs no bigger
than a first tooth. I loved
to find odd things among them: antique
pen nibs, Indian arrowheads, someone’s
Purple Heart. My entire life the geese
were migrating—always coming
or going—sometimes the whole sky
was stitched together with their long vees.
Sometimes, too, a fighter jet passed over
with a sound like torn cotton. The house
would shake—or maybe that was just me,
growing older. All the while I was thirsty,
and so tired—I’d finally sewed
the bedclothes closed. I wondered
when my grandmother would return
from the garden with her smell of laundry
and lemon balm, her cool steady hands.
Mud Nymph
This pond’s spirit has been deep
on its fine-silt floor for lifetimes, sifting muck
through bird bones while the surface
stagnates green, embossed like an oxidized coin
with duckweed. She exists to finger what sinks:
spools of wire, bottles, rings, love charms
and offerings, and the kind of dolls
girls don’t mind losing—deep scratches
on their plastic faces. Such water hardly holds
the name: feathered with algal bloom, dense
with soil acids and cast-off snail coils,
tadpoles in every stage of squirm and unfurl.
Her eyes have skinned over and gill-slits
pulse like knife-gouges at her neck.
She smells of wet metal and decay, and gray
fish kiss her with their sucker discs
so she’s clean as pearl-sheen. Light enters
in stabs and hemorrhages. Her hands are huge,
sorting what no one goes in after: a mirrored
compact calloused with rust, a child’s shoe
and letters wrapped in twine, delivered like thick
packets of lotus leaves, waxy and veined,
when the surface is turned and troubled
by the rough weather of wind and the rain.