Jeff Whitney: The First Gesture
El primer gesto de libertad es justo
el primer gesto de desobediencia a dios.
—Antonia Gala
She said: “Today I will disobey god in very strange ways.”
“Why?” he said.
“The March strawberries in the valley are as big as spiders.”
“So you are a shattering, or shattered, thing?”
“Neither.”
“So you walk backwards to blend with the dead?”
“Not exactly.”
“How can I trust you?”
“I walk backwards. I blend with the living.”
*
Lord, this is your world, where the living
say things like: “My parents met
in a bathroom.”
The stars chase one another:
Horse the Scorpion, Queen the Boy.
We make plans, hold out palms
to shining bathroom sinks.
No matter what
we will always be ten.
Salt in earth and sea, salt
the small diamonds in each crater
of tongue. Suppose
the next realm were a pile of salt—
no glory-glory, no windstorm—
what then? We will walk or not
beneath the yellow sound
of trees. Their shattering.
*
In the small hours, the little ones that accumulate and scalp off
like skin, we spoke of suffering, hung clothes to dry,
whipped mayonnaise into tuna.
I assure you none of it could have been different.
This is a window, we said, this is glass.
This is lightning in our throats and we must be careful.
A neighbor child ran about in the yard, naked
as knee-bone, dirt on his neck, a happy animal.
This is a table. It is where the bread goes.
*
At eleven on Uncle Bob’s farm we found a bat
behind the barn, dying, a small black fig with wings.
I remember picking up rocks the size of my fist
and I remember the act of throwing. I knew
so well what then to do with the dying.
*
If I wanted to be anything
I wanted to be the place
where a river used to be.
Call it legacy, call it diminished return.
Every night I fold and unfold
like a pair of hands in prayer. Even if
they are burning. Especially if.
*
I will tell you three lies:
If one person says no everyone else
will say yes, knives in each hand.
On the third Tuesday of each month
a man or woman arrives at your door
very late in the night with droopy flowers
and just stands there.
If you are satisfied you are not doing it right.
*
The year we learned the word for coffin
everything became so fatally wounded,
then slim-salvaged, then worn.
The black widows looked out
onto the black lawn.
*
I can never tell what the mantis is thinking.
The dog is another story: food, pleasure, play—easy.
The mantis sits still for hours
in her most basic shape, existing
without complication like a picture
of a tree. That small thing clasped in her fingers
is the baby pheasant that left my body
seven years ago that inordinately difficult day.
It will come to life again. Tomorrow
I will open my blinds and see it forming
on the bare fingers of a weather-bent tree,
the rarest of blues.
*
Run away now child
the silver bell in the tower
no longer rings.
There is a darkness in
the neighborhood
best to leave it be
best to come back
some other time.
*
Only I never came back.
Tonight I consider how unremembered
it all becomes, how different we will look
when we inhabit the bodies
of birds. Such sad music,
this coat in emptier rooms.
Two fingers in the palm of a hand.
*
This was the first free gesture:
just before midnight, in the impractical garden,
a man walks out to find a woman bent near
a pond, brushing water through her hair
with both hands. She of course is the first
to do this and he is the first to see this.
When she looks up, sees him nakedly there,
she is startled. There is no verb yet
for the way their bodies move.
There is the night, this water, her luminous hair,
his naked legs, all of which they will name,
all of which they can never give back.