Joey De Jesus: Self-Portrait at 24: A Triptych
When it all began
my browning skin just the toast of hers
her rotting spine, her slouch, an arm,
flakes of mica, course hair in a pillowcase
when it all began—Mr. Morse,
twelfth grade, handed me a copy
of The Wild Iris and Pat Rosal.
Pat. Asked me to read and I wrote
about black rosary, the metaphor being
chicory buds stilted in frost and how
we hope they might bloom,
don’t we? Oh, how I wheedled
those plastic beads like a string
of rare pearls. That was the beginning
—absolute.
Prince of Foxes
Step with me into timber, vulpine
—fox bodies strewn
across a canvas of asphalt
gold sequins, black nail
thunderdrumming
seekers in nodding thistle
hope lingers so I wait / unforgiving
I wear a crown of gold berries
I have a wife with no womb
cracked rifle
give your soul—fornicate—lose your soul
I have a wife threading needles
I pray of divine axe for slaughtering
when numb leg’s snapped in iron jaw
I’ll gnaw off good limbs—whispering
ghost forest. Rest in peace—
the lift of a wasp in an upgust
mountain wrens plump with birdsong choir
I am witch of tinderand air—if anything is consecrated
the body is consecrated
oak shade, shadowbinding
reborn againI hear of warships on the horizon.
Goetia
I—circle of air rusting, whorl of thatch roof, tinning rain, milk
adder bone, six-legged fire horse, King Agares on a crocodile,
make me invisible—wild raisin, beeswax—riverland duke,
if you are the shook earth mix me nebulous dust, solar, cyclonic.
Seated atop the birds of hell, I’ll show you my battlement
of wasteland ash. Allow me: 3 times stabbed in my home
—language master unabated can you not hear it?
my pistolwhip honesty—black craft—my snakeroot, my boneset