Emily Skaja: Elegy with Black Smoke
Three notes: long, long, short—your call for me. In a prism of light I walk backwards. I see a house turn into a bull turn into a house. I shake myself, wincing. I hold on to the facts. You’ve been dead eighteen years. The house has been torn down for a decade. A man on the mill road stops me for my papers. I don’t say I woke up in a red pond & my arms are made of magnets. Whole cities follow me south. I can’t help it; I drag them behind me. When I’m not careful, worms appear on the road & I waste an entire rainstorm sobbing. I don’t tell anyone the code words stuck to my coat. Without you all the proverbs are halved in my mouth like a stutter. Where there’s smoke there’s. Where there’s smoke.
Aubade with Boundaries
You think you can choose to remember our story however you want it. That you can run up your flag & say True Love Lost & we’re even. Even the whiskey, even the salt we licked from the table won’t return us to our roles of wanted & wanting. In an argument, it is better to be drunk than to be right. When you screamed at me You don’t know everything about me there was snow melting on my hair; we were blackout drunk in a ladies toilet. Black sharpie under the mirror commanded me UNFUCK YOUR HOLE LIFE. I couldn’t stop drying my hands. I was saying I’m sorry but my mouth was obsessed with the word precedent. Girls are taught that adage early: To permit it gives permission. How many implements of shame should I hold against myself? Blight, motherfucker is the introduction of a red bruise down one thigh. Now I’ve learned to say remember like memory is not the axis on which the world shifts & interplanetary garbage is not, like, just drifting. Go back & go back & go back to the beginning is useless. I can’t remember the chemicals for choking roaches & the roaches are everywhere. Orange light slides over the railyard where I watch the workers circle the tracks. They replace one empty traincar with another.