{"id":1642,"date":"2025-04-04T18:31:11","date_gmt":"2025-04-04T18:31:11","guid":{"rendered":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/?p=1642"},"modified":"2025-06-02T18:45:23","modified_gmt":"2025-06-02T18:45:23","slug":"teatro-decimo-piso-presents-ruido-by-mariana-de-althaus","status":"publish","type":"post","link":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/2025\/04\/04\/teatro-decimo-piso-presents-ruido-by-mariana-de-althaus\/","title":{"rendered":"Teatro D\u00e9cimo Piso Presents Ruido by Mariana de Althaus"},"content":{"rendered":"<p>Teatro Decimo Piso, the only Spanish-language theatre group at UW-Madison, presented\u00a0<em>Ruido\u00a0<\/em>by Mariana de Althaus through the University Theatre Second Stage Program.\u00a0<strong>Lily Shell<\/strong>\u00a0produced and Ph.D. Candidate\u00a0<strong>Anna Gebarski<\/strong> designed makeup and served as tech crew.<\/p>\n<p><em>Ruido\u00a0<\/em>(2016), by Mariana de Althaus, is a Peruvian satirical comedy that captures the disarray and instability of a family during the 1990s Peruvian Civil War. The play unfolds in Augusta\u2019s house, where a desperate neighbor arrives just before the curfew, searching for her missing husband and pleading for an alarm\u2014loudly disturbing the entire neighborhood\u2014to be silenced. Inside, she meets Augusta and her children, Agustina and Agust\u00edn, who insist that her husband has abandoned her and that no alarm exists. In this increasingly absurd and claustrophobic setting, the neighbor\u2019s attempts to return home are thwarted, trapping her in Augusta\u2019s house as the noise intensifies, mirroring the persistent turmoil of both the political landscape and the characters\u2019 inner lives.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teatro Decimo Piso, the only Spanish-language theatre group at UW-Madison, presented\u00a0Ruido\u00a0by Mariana de Althaus through the University Theatre Second Stage Program.\u00a0Lily Shell\u00a0produced and Ph.D. Candidate\u00a0Anna Gebarski designed makeup and served as tech crew. Ruido\u00a0(2016), by &hellip;<\/p>\n","protected":false},"author":7,"featured_media":1656,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-1642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-event"],"acf":[],"_links":{"self":[{"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/posts\/1642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/comments?post=1642"}],"version-history":[{"count":2,"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/posts\/1642\/revisions"}],"predecessor-version":[{"id":1657,"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/posts\/1642\/revisions\/1657"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/media\/1656"}],"wp:attachment":[{"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/media?parent=1642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/categories?post=1642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dept.english.wisc.edu\/intertheatrestudies\/wp-json\/wp\/v2\/tags?post=1642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}